She was reportedly fascinated by the smooth white stones covering the bed of the river near her family home, which she cites as another of the seminal influences behind her lasting fixation on dots. Kusama's art became her escape from her family and her own mind when she began to have hallucinations. These hallucinations also included flowers that spoke to Kusama, and patterns in fabric that she stared at coming to life, multiplying, and engulfing or expunging her, a process which she has carried into her artistic career and which she calls "self-obliteration". When Kusama was ten years old, she began to experience vivid hallucinations which she has described as "flashes of light, auras, or dense fields of dots". I didn't want to have sex with anyone for years The sexual obsession and fear of sex sit side by side in me." Her traumatic childhood, including her fantastic visions, can be said to be the origin of her artistic style. When I was a child, my father had lovers and I experienced seeing him. The artist says that her mother would often send her to spy on her father's extramarital affairs, which instilled within her a lifelong contempt for sexuality, particularly the male's lower body and the phallus: "I don't like sex. Her mother was also apparently physically abusive, and Kusama remembers her father as "the type who would play around, who would womanize a lot". Her mother was not supportive of her creative endeavors Kusama would rush to finish her art because her mother would take it away to discourage her. Born into a family of merchants who owned a plant nursery and seed farm, Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career. Yayoi Kusama was born on 22 March 1929 in Matsumoto, Nagano.
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